Roland Sound Library SN-U110 and SN-MV30-S1 Series PCM Cards
Suitable for the Roland U-20 Keyboard & U-220 Sound Module
This page provides information and details about Sound Library PCM Cards suitable for the Roland U-110, U-20 Keyboard and U-220 Sound Module.
The Roland U-110, U-20 and U-220 Tone set can be expanded by employing the PCM slots provided. Four slots are available on the U-110 and two slots on the U-20 and U-220. Suitable Sound Library PCM Cards include the SN-U110 series (a total of 15 PCM cards) and SN-MV30-S1 series.
Timbres and Patches created using the additional Tones available on these PCM Cards will require that the relevant PCM card is installed whenever those Timbres/Patches are to be used/accessed. The PCM Card Tone data is not copied/stored permanently in the U-20 and U-220 memory.
Please be aware that some PCM Cards offered for sale online may no longer be functional.
It is worth asking the vendor whether they can verify that the card being offered for sale actually works. If the provided photo shows a beaten up card, pass it by - you can't fix these if they are broken or have corrupted data.
Prices for Sound Library PCM cards can vary dramatically from around AUD $40 (seems to be average) up to AUD $120 per card.
Given that a U-220 can be had for under $200, that makes the cost of these Sound Library cards appear particularly steep. With the vastly better tech available today, it is very hard to justify the expense of these cards just to pad out the existing tone set.
Expanded / Content Information is available for the following cards:
Important:
I have not yet heard the samples contained on these cards, so there is no point asking what I think of them or which I consider to be the best and/or better value.
Please Note: The PCM samples (Tones) on cards SN-U110-08 and SN-U110-09 are already included on the U-20, U-220 and D-70's internal ROM.
List of SN-U110 PCM ROM Cards |
| SN-U110-01 |
Pipe Organ and Harpsichord |
6 Harpsichords, 6 Standard Organs,
8 Church Organs |
| SN-U110-02 |
Latin and FX Percussion |
3 Latin Setup, 4 F.X. Setup, 26
Latin Percussions, 19 F.X. Percussions |
| SN-U110-03 |
Ethnic |
6 Tablas, 3 Tsuzumis, 1 Hyoshigis,
2 Genders, 2 Sanzas, 4 Barafons, 3 Sitars,
3 Santurs, 9 Kotos, 2 Sicus and 3 Shanais |
| SN-U110-04 |
Electric Grand
and Clavi |
8 Electric Grand Pianos, 4 Clavis |
| SN-U110-05 |
Orchestral Strings |
3 Violins, 3 Cellos, 1 Cello/Violin,
1 Contrabass/Cello, 1 Pizzicato, 2 Harps |
| SN-U110-06 |
Orchestral Winds |
6 Oboes, 5 Bassoons, 6 Clarinets,
5 Bass Clarinets, 6 French Horns, 5 Tubas,
2 Timpani |
| SN-U110-07 |
Electric Guitar |
15 Jazz Guitar, 27 Overdrive Guitar,
28 Distortion Guitar, 1 Picking Harmonics |
| SN-U110-08 |
Synthesiser |
These Tones already in the U-20 / U-220
and D-70's internal ROM |
| SN-U110-09 |
Guitar and Keyboards |
| SN-U110-10 |
Rock Drums |
Not compatible with the D-70 |
| SN-U110-11 |
Sound Effects |
A variety of Sound Effects including sounds from nature |
| SN-U110-12 |
Sax and Trombone |
10 Saxophones, 10 Trombones |
| SN-U110-13 |
Super Strings
(From the JV-80) |
12 Strings |
| SN-U110-14 |
Super Acoustic Guitar
(From the JV-80) |
6 Steel String Guitars, 6 Nylon String Guitars,
12-String Guitars, Harmonics, Fret Noise |
| SN-U110-15 |
Super Brass
(From the JV-80) |
3 High Brasses,3 Low Brasses,
7 Brass Combos |
The SN-U110-13, 14 and 15 Stereo Sound Cards series use larger amounts of memory for their tones to provide an extremely rich sound quality. Some of the included tones were designed to be panned in stereo patches to express subtle nuances (particularly useful for emulating acoustic music).
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• SN-MV30-S1 series -
SN-MV30-01 Tone List (Rhythm Section)
• SN-MV30-S1 series -
SN-MV30-02 Tone List (Orchestral)
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SN-U110-01 - Pipe Organ and Harpsichord - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
Split/Threshold |
| Harpsichord |
|
|
|
|
| 01-01 |
HARPSI 1 |
Single |
Back 8' (Mellow Tone) |
|
| 01-02 |
HARPSI 2 |
Detune |
Back 8' (Mellow Tone) |
|
| 01-03 |
HARPSI 3 |
Single |
Front 8' (Bright Tone) |
|
| 01-04 |
HARPSI 4 |
Detune |
Front 8' (Bright Tone) |
|
| 01-05 |
HARPSI 5 |
Single |
Back + Front |
|
| 01-06 |
HARPSI 6 |
Dual |
Back + 4' (Upper Octave) |
|
| Postive Organ |
|
|
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| 01-07 |
POSITIVE 1 |
Single |
Bright Tone |
|
| 01-08 |
POSITIVE 2 |
Detune |
Bright Tone |
|
| 01-09 |
POSITIVE 3 |
Single |
Middle Tone |
|
| 01-10 |
POSITIVE 4 |
Detune |
Middle Tone |
|
| 01-11 |
POSITIVE 5 |
Single |
Mellow Tone |
|
| 01-12 |
POSITIVE 6 |
Detune |
Mellow Tone |
|
| Church Organ |
|
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| 01-13 |
CHURCH 1 |
Single |
Bright Tone |
|
| 01-14 |
CHURCH 2 |
Detune |
Bright Tone |
|
| 01-15 |
CHURCH 3 |
Single |
Middle Tone |
|
| 01-16 |
CHURCH 4 |
Detune |
Middle Tone |
|
| 01-17 |
CHURCH 5 |
Single |
Mellow Tone |
|
| 01-18 |
CHURCH 6 |
Detune |
Mellow Tone |
|
| 01-19 |
CHURCH 7 |
Dual |
Middle + Reverb |
|
| 01-20 |
CHURCH RVB |
Single |
Reverb |
|
*
The voicing capacity or the upper range may vary with the tones you select. |
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SN-U110-02 - Latin and FX Percussion - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
Split/Threshold |
| Latin Setup |
|
|
|
|
| 02-01 |
LATIN 1 |
Single |
See Setup Chart |
|
| 02-02 |
LATIN 2 |
Single |
See Setup Chart |
|
| 02-03 |
LATIN 3 |
Single |
See Setup Chart |
|
| FX Setup |
|
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| 02-04 |
FX 1 |
Single |
See Setup Chart |
|
| 02-05 |
FX 2 |
Single |
See Setup Chart |
|
| 02-06 |
FX 3 |
Single |
See Setup Chart |
|
| 02-07 |
FX 4 |
Single |
See Setup Chart |
|
| Latin Percussions |
|
|
|
|
| 02-08 |
CONGA 1 |
Single |
open |
|
| 02-09 |
CONGA 2 |
Single |
mute |
|
| 02-10 |
CONGA 3 |
V-SW |
open / mute |
v = 100 |
| 02-11 |
BONGO |
Single |
|
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| 02-12 |
CLAVES |
Single |
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| 02-13 |
TIMBALE |
Single |
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| 02-14 |
TAMBOURINE |
Single |
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| 02-15 |
WOOD BLOCK |
Single |
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| 02-16 |
WHISTLE |
Single |
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| 02-17 |
TRIANGLE |
Single |
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| 02-18 |
BELLTREE |
Single |
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| 02-19 |
JINGLEBELL |
Single |
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| 02-20 |
VIBRASLAP |
Single |
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| 02-21 |
CASTANET |
Single |
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| 02-22 |
MARACAS |
Single |
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| 02-23 |
AGOGO 1 |
Single |
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| 02-24 |
AGOGO 2 |
Single |
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| 02-25 |
CUICA 1 |
Single |
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| 02-26 |
CUICA 2 |
V-SW |
low / high |
v = 100 |
| 02-27 |
GUIRO 1 |
Single |
long |
|
| 02-28 |
GUIRO 2 |
Single |
short |
|
| 02-29 |
GUIRO 3 |
V-SW |
long / short |
v = 100 |
| 02-30 |
BERIMBAU |
Single |
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| 02-31 |
SHEKELE |
Single |
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| 02-32 |
STEEL DRUM |
Single |
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| 02-33 |
LOG DRUM |
Single |
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| FX Percussions |
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| 02-34 |
ORCH HIT |
Single |
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| 02-35 |
SIREN |
Single |
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| 02-36 |
TYPE 1 |
Single |
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| 02-37 |
TYPE 2 |
Single |
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| 02-38 |
CLOCK |
Single |
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| 02-39 |
PINBALL |
Single |
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| 02-40 |
TELEPHONE |
Single |
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| 02-41 |
SMSH GLASS |
Single |
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| 02-42 |
REZNO |
Single |
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| 02-43 |
EERIE |
Single |
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| 02-44 |
AMBIA JR |
Single |
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| 02-45 |
TEMPL BLK |
Single |
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| 02-46 |
ZING ! |
Single |
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| 02-47 |
BOING ! |
Single |
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| 02-48 |
MOD ZAP |
Single |
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| 02-49 |
INTERFACE |
Single |
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| 02-50 |
SCRATCH |
Single |
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| 02-51 |
STAKE |
Single |
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| 02-52 |
ZAPPU |
Single |
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*
The voicing capacity or the upper range may vary with the tones you select. |
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SN-U110-03 - Ethnic - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
Split/Threshold |
| Tabla |
|
|
|
|
| 03-01 |
TABLA |
Single |
GA/TUN/NA/TE/TRKT |
B2/B3/B4/B5 |
| 03-02 |
TABLA-GA |
Single |
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| 03-03 |
TABLA-TE |
Single |
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| 03-04 |
TABLA-NA |
Single |
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| 03-05 |
TABLA-TRKT |
Single |
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| 03-06 |
TABLA-TUN |
Single |
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Tsuzumi,
Hyoshigi |
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| 03-07 |
TSUZUMI 1 |
Single |
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| 03-08 |
TSUZUMI 2 |
Single |
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| 03-09 |
TSUZUMI 3 |
Single |
TSUZUMI 1/TSUZUMI 2/HYOSIGI |
B3/B5 |
| 03-10 |
HYOSIGI |
Single |
|
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| Gender |
|
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| 03-11 |
GENDER 1 |
Single |
|
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| 03-12 |
GENDER 2 |
Detune |
|
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| Sanza |
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| 03-13 |
SANZA 1 |
Single |
|
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| 03-14 |
SANZA 2 |
Detune |
|
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| Barafon |
|
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| 03-15 |
BARAFON 1 |
Single |
Soft Mallet |
|
| 03-16 |
BARAFON 2 |
Detune |
Soft Mallet |
|
| 03-17 |
BARAFON 3 |
Single |
Hard mallet |
|
| 03-18 |
BARAFON 4 |
Detune |
Hard mallet |
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| Sitar |
|
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| 03-19 |
SITAR 1 |
Single |
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| 03-20 |
SITAR 2 |
Detune |
|
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| 03-21 |
SITAR 3 |
Dual |
Includes the sound one octave lower |
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| Santur |
|
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| 03-22 |
SANTUR 1 |
Single |
|
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| 03-23 |
SANTUR 2 |
Detune |
|
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| 03-24 |
SANTUR 3 |
Dual |
Includes the sound one octave lower |
|
| Koto |
*keys higher than F#6 (90) contain the tremolo sound in KOTO 1-8 |
| 03-25 |
KOTO 1 |
Single |
Bright Tone |
|
| 03-26 |
KOTO 2 |
Detune |
Bright Tone |
|
| 03-27 |
KOTO 3 |
Single |
Middle Tone |
|
| 03-28 |
KOTO 4 |
Detune |
Middle Tone |
|
| 03-29 |
KOTO 5 |
Single |
Mellow Tone |
|
| 03-30 |
KOTO 6 |
Detune |
Mellow Tone |
|
| 03-31 |
KOTO 7 |
Single |
Non Decay |
|
| 03-32 |
KOTO 8 |
Detune |
Non Decay |
|
| 03-33 |
KOTO TREMO |
Single |
Tremolo |
|
| Sicu |
|
|
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| 03-34 |
SICU 1 |
Single |
|
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| 03-35 |
SICU 2 |
Detune |
|
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| Shanai |
|
|
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| 03-36 |
SHANAI 1 |
Single |
Normal |
|
| 03-37 |
SHANAI 2 |
Single |
Accent |
|
| 03-38 |
SHANAI 3 |
V-SW |
Normal/Accent |
V=100 |
Many thanks to Keith for providing the SN-U110-03 card info. If you are after some more rare synth info see ... SUPER JX-10 and MKS-70 SYNTHESIZER HOMEPAGE |
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SN-U110-04 - Electric Grand and Clavi - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
Split
/
Threshold |
| Electric Grand Piano |
|
|
|
|
| 04-01 |
E.GRAND 1 |
V-MIX |
bright tone, soft & hard touch |
|
| 04-02 |
E.GRAND 2 |
V-MIX |
middle tone, soft & hard touch |
|
| 04-03 |
E.GRAND 3 |
V-MIX |
mellow tone, soft & hard touch |
|
| 04-04 |
E.GRAND 4 |
V-MIX |
detuned, soft & hard touch |
|
| 04-05 |
E.GRAND 5 |
Single |
soft touch |
|
| 04-06 |
E.GRAND 6 |
Detune |
soft touch |
|
| 04-07 |
E.GRAND 7 |
Single |
hard touch |
|
| 04-08 |
E.GRAND 8 |
Detune |
hard touch |
|
| Clavi |
|
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|
| 04-09 |
CLAVI 1 |
V-MIX |
soft & hard touch |
|
| 04-10 |
CLAVI 2 |
V-SW |
soft touch / hard touch |
v = 100 |
| 04-11 |
CLAVI 3 |
Single |
|
|
| 04-12 |
CLAVI 4 |
Detune |
|
|
*
The voicing capacity or the upper range may vary with the tones you select. |
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SN-U110-05 - Orchestral Strings - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
Split
/
Threshold |
| Electric Grand Piano |
|
|
|
|
| 05-01 |
VIOLIN 1 |
Single |
normal |
|
| 05-02 |
VIOLIN 2 |
Single |
sforzando piano |
|
| 05-03 |
VIOLIN 3 |
Dual |
|
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| Cello |
|
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| 05-04 |
CELLO 1 |
Single |
normal |
|
| 05-05 |
CELLO 2 |
Single |
sforzando piano |
|
| 05-06 |
CELLO 3 |
Dual |
|
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| 05-07 |
CELLO/VLN |
Single |
cello / violin |
B3 (59) |
| 05-08 |
CB/CELLO |
Single |
contrabass / cello |
F2 (41) |
| 05-09 |
PIZZICATO |
Single |
|
|
| Harp |
|
|
|
|
| 05-10 |
HARP 1 |
Single |
normal |
|
| 05-11 |
HARP 2 |
Detune |
|
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*
The voicing capacity or the upper range may vary with the tones you select. |
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SN-U110-06
- Orchestral Winds - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
| Oboe |
|
|
|
| 06-01 |
OBOE 1 |
Single |
Bright Tone |
| 06-02 |
OBOE 2 |
Single |
Normal |
| 06-03 |
OBOE 3 |
Single |
Mellow Tone |
| 06-04 |
OBOE 4 |
Single |
Sforzando Piano |
| 06-05 |
OBOE 5 |
Detune |
|
| 06-06 |
OBOE 6 |
Dual |
|
| Bassoon |
|
|
|
| 06-07 |
BASSOON 1 |
Single |
Normal |
| 06-08 |
BASSOON 2 |
Single |
Mellow Tone |
| 06-09 |
BASSOON 3 |
Single |
Sforzando Piano |
| 06-10 |
BASSOON 4 |
Detune |
|
| 06-11 |
BASSOON 5 |
Dual |
|
| Clarinet |
|
|
|
| 06-12 |
CLARINET 1 |
Single |
Bright Tone |
| 06-13 |
CLARINET 2 |
Single |
Normal |
| 06-14 |
CLARINET 3 |
Single |
Mellow Tone |
| 06-15 |
CLARINET 4 |
Single |
Sforzando Piano |
| 06-16 |
CLARINET 5 |
Detune |
|
| 06-17 |
CLARINET 6 |
Dual |
|
| Bass Clarinet |
|
|
|
| 06-18 |
BASS CL 1 |
Single |
Normal |
| 06-19 |
BASS CL 2 |
Single |
Mellow Tone |
| 06-20 |
BASS CL 3 |
Single |
Sforzando Piano |
| 06-21 |
BASS CL 4 |
Detune |
|
| 06-22 |
BASS CL 5 |
Dual |
|
| French Horn |
|
|
|
| 06-23 |
FR HORN 1 |
Single |
Bright Tone |
| 06-24 |
FR HORN 2 |
Single |
Normal |
| 06-25 |
FR HORN 3 |
Single |
Mellow Tone |
| 06-26 |
FR HORN 4 |
Single |
Sforzando Piano |
| 06-27 |
FR HORN 5 |
Detune |
|
| 06-28 |
FR HORN 6 |
Dual |
|
| Tuba |
|
|
|
| 06-29 |
FR.HORN 1 |
Single |
Normal |
| 06-30 |
FR.HORN 2 |
Single |
Mellow Tone |
| 06-31 |
FR.HORN 3 |
Single |
Sforzando Piano |
| 06-32 |
FR.HORN 4 |
Detune |
|
| 06-33 |
FR.HORN 5 |
Dual |
|
| Timpani |
|
|
|
| 06-34 |
TIMPANI 1 |
V-MIX |
|
| 06-35 |
TIMPANI 2 |
Single |
Forte |
*
The voicing capacity or the upper range may vary with the tones you select. |
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SN-U110-07
- Electric Guitar - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
Split/Threshold |
| Jazz Guitar |
|
|
|
|
| 07-01 |
JZG SW 1 |
V-SW |
Piano - Forte |
v=100 |
| 07-02 |
JZG SW 2 |
V-SW |
Piano - Mellow / Bright |
v=100 |
| 07-03 |
JZG SW 3 |
V-SW |
Piano - Mellow / Bright |
v=100 |
| 07-04 |
JZG P |
Single |
Piano |
|
| 07-05 |
JZG F |
Single |
Forte |
|
| 07-06 |
JZG DT P |
Single |
Piano |
|
| 07-07 |
JZG DT F |
Single |
Forte |
|
| 07-08 |
JZG OCT P1 |
Dual |
Piano - Includes one octave upper |
|
| 07-09 |
JZG OCT P2 |
Dual |
Piano - Includes one octave lower |
|
| 07-10 |
JZG OCT F1 |
Dual |
Piano - Includes one octave upper |
|
| 07-11 |
JZG OCT F2 |
Dual |
Piano - Includes one octave lower |
|
| 07-12 |
JZG SW S/F |
V-SW |
Slow Attack / Fast Attack |
v=100 |
| 07-13 |
JZG COMP 1 |
V-SW |
Piano - Forte With Compressor Effect |
|
| 07-14 |
JZG COMP 1 |
Single |
Piano With Compressor Effect |
|
| 07-15 |
JZG COMP 1 |
Single |
Piano With Compressor Effect |
|
| Overdrive Guitar |
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|
| 07-16 |
ODG SW 1 |
V-SW |
Piano - Forte / Fuzzy |
v=100 |
| 07-17 |
ODG SW 2 |
V-SW |
Piano - Forte / Dry |
v=100 |
| 07-18 |
ODG SW 3 |
V-SW |
Piano - Forte / Normal |
v=100 |
| 07-19 |
ODG SW 4 |
V-SW |
Piano - Forte / Warm |
v=100 |
| 07-20 |
ODG SW 5 |
V-SW |
Piano - Forte / Fat |
v=100 |
| 07-21 |
SW HM |
V-SW |
Forte - Harmonics |
v=100 |
| 07-22 |
ODG P |
Single |
Piano |
|
| 07-23 |
ODG F |
Single |
Forte |
|
| 07-24 |
ODG DT P |
Detune |
Piano |
|
| 07-25 |
ODG DT F |
Detune |
Forte |
|
| 07-26 |
ODG OCT P1 |
Dual |
Piano - Includes one octave upper |
|
| 07-27 |
ODG OCT P2 |
Dual |
Piano - Includes one octave lower |
|
| 07-28 |
ODG OCT F1 |
Dual |
Forte - Includes one octave upper |
|
| 07-29 |
ODG OCT F2 |
Dual |
Forte - Includes one octave lower |
|
| 07-30 |
ODG SW S/F |
V-SW |
Slow Attack / Fast Attack |
v=100 |
| 07-31 |
ODG FB 1 |
Dual |
Forte & Feedback (Harmonics - Fast) |
|
| 07-32 |
ODG FB 2 |
Dual |
Forte & Feedback (Fundamental - Fast) |
|
| 07-33 |
ODG FB 3 |
Dual |
Forte & Feedback (2nd Harmonics - Fast) |
|
| 07-34 |
ODG FB 4 |
Dual |
Forte & Feedback (3rd Harmonics - Fast) |
|
| 07-35 |
ODG FB 5 |
Dual |
Forte & Feedback (4th Harmonics - Fast) |
|
| 07-36 |
ODG FB 6 |
Dual |
Forte & Feedback (5th Harmonics - Fast) |
|
| 07-37 |
ODG FB 7 |
Dual |
Forte & Feedback (Harmonics - Slow) |
|
| 07-38 |
ODG FB 8 |
Dual |
Forte & Feedback (Fundamental - Slow) |
|
| 07-39 |
ODG FB 9 |
Dual |
Forte & Feedback (2nd Harmonics - Slow) |
|
| 07-40 |
ODG FB 10 |
Dual |
Forte & Feedback (3rd Harmonics - Slow) |
|
| 07-41 |
ODG FB 11 |
Dual |
Forte & Feedback (4th Harmonics - Slow) |
|
| 07-42 |
ODG FB 12 |
Dual |
Forte & Feedback (5th Harmonics - Slow) |
|
| Distortion Guitar |
|
|
|
|
| 07-43 |
DSG SW 1 |
V-SW |
Mute / Non-mute Fuzzy |
v=100 |
| 07-44 |
DSG SW 2 |
V-SW |
Mute / Non-mute Dry |
v=100 |
| 07-45 |
DSG SW 3 |
V-SW |
Mute / Non-mute Normal |
v=100 |
| 07-46 |
DSG SW 4 |
V-SW |
Mute / Non-mute Warm |
v=100 |
| 07-47 |
DSG SW 5 |
V-SW |
Mute / Non-mute Fat |
v=100 |
| 07-48 |
DSG SW HM |
V-SW |
F (Non-mute) / Harmonics |
v=100 |
| 07-49 |
DSG P |
Single |
P (Mute) |
|
| 07-50 |
DSG F |
Single |
F (Non-mute) |
|
| 07-51 |
DSG DT |
Detune |
F (Non-mute) |
|
| 07-52 |
DSG +4TH 1 |
Dual |
Includes 500cent Upper |
|
| 07-53 |
DSG +4TH 2 |
Dual |
Includes 500cent Upper |
|
| 07-54 |
DSG -5TH 1 |
Dual |
Includes 700cent Lower |
|
| 07-55 |
DSG -5TH 2 |
Dual |
Includes 700cent Lower |
|
| 07-56 |
DSG OCT 1 |
Dual |
F - Includes one octave upper |
|
| 07-57 |
DSG OCT 2 |
Dual |
F - Includes one octave upper |
|
| 07-58 |
DSG SW S/F |
V-SW |
Slow Attack / Fast Attack |
|
| 07-59 |
DSG FB 1 |
Dual |
Forte & Feedback (Harmonics - Fast) |
|
| 07-60 |
DSG FB 2 |
Dual |
Forte & Feedback (Fundamental - Fast) |
|
| 07-61 |
DSG FB 3 |
Dual |
Forte & Feedback (2nd.Harmonics - Fast) |
|
| 07-62 |
DSG FB 4 |
Dual |
Forte & Feedback (3rd.Harmonics - Fast) |
|
| 07-63 |
DSG FB 5 |
Dual |
Forte & Feedback (4th.Harmonics - Fast) |
|
| 07-64 |
DSG FB 6 |
Dual |
Forte & Feedback (5th.Harmonics - Fast) |
|
| 07-65 |
DSG FB 7 |
Dual |
Forte & Feedback (Harmonics - Slow) |
|
| 07-66 |
DSG FB 8 |
Dual |
Forte & Feedback (Fundamental - Slow) |
|
| 07-67 |
DSG FB 9 |
Dual |
Forte & Feedback (2nd Harmonics - Slow) |
|
| 07-68 |
DSG FB 10 |
Dual |
Forte & Feedback (3rd Harmonics - Slow) |
|
| 07-69 |
DSG FB 11 |
Dual |
Forte & Feedback (4th Harmonics - Slow) |
|
| 07-70 |
DSG FB 12 |
Dual |
Forte & Feedback (5th Harmonics - Slow) |
|
| Picking Harmonics |
|
|
|
|
| 07-71 |
PICKING HM |
Single |
Picking Harmonics |
|
Many thanks to Keith for providing the SN-U110-07 card info. If you are after some more rare synth info see ... SUPER JX-10 and MKS-70 SYNTHESIZER HOMEPAGE |
| |
|
|
|
|
|
| |
SN-U110-08
- Synthesiser - Sound Chart
NOTE: These Tones already in the U-20 / U-220
and D-70's internal ROM |
|
# |
Tone Name |
Tone Type |
Contents |
| Synthesiser |
|
|
|
| 08-01 |
FANTASIA |
Dual |
|
| 08-02 |
BELL PAD |
Dual |
|
| 08-03 |
SYN CHOIR |
Single |
|
| 08-04 |
BREATH VOX |
Dual |
|
| 08-05 |
L CALLIOPE |
Dual |
|
| 08-06 |
CALLIOPE |
Single |
|
| 08-07 |
METAL HIT |
Dual |
|
| 08-08 |
RICH BRASS |
Single |
|
| 08-09 |
BRASTRINGS |
Dual |
|
| 08-10 |
STRINGPAD1 |
Single |
|
| 08-11 |
STRINGPAD2 |
Dual |
|
| 08-12 |
PIZZAGOGO |
Dual |
|
| 08-13 |
FANTA BELL |
Single |
|
| 08-14 |
SPECT BELL |
Dual |
|
| 08-15 |
BELL DRUM |
Dual |
|
| 08-16 |
SYNTH HARP |
Single |
|
| 08-17 |
PULSEWAVE1 |
Single |
|
| 08-18 |
PULSEWAVE2 |
Single |
|
| 08-19 |
PULSEWAVE3 |
Single |
|
| 08-20 |
SAW WAVE 1 |
Single |
|
| 08-21 |
SAW WAVE 2 |
Single |
|
| 08-22 |
PIZZ |
Single |
|
| 08-23 |
METAL |
Single |
|
| 08-24 |
BREATH |
Single |
|
| 08-25 |
NILS |
Single |
|
| 08-26 |
SPECTRUM 1 |
Single |
|
| 08-27 |
SPECTRUM 2 |
Single |
|
| 08-28 |
N DANCE |
Single |
|
*
The voicing capacity or the upper range may vary with the tones you select. |
| |
|
|
|
|
|
| |
SN-U110-09
- Guitar & Keyboards - Sound Chart
NOTE: These Tones already in the U-20 / U-220
and D-70's internal ROM |
|
# |
Tone Name |
Tone Type |
Contents |
| 09-01 |
BRIGHT EP1 |
Single |
Bright Electric Piano |
| 09-02 |
BRIGHT EP2 |
Detune |
|
| 09-03 |
SYN. VOX 1 |
Single |
Synthesizer Voice |
| 09-04 |
SYN. VOX 2 |
Single |
|
| 09-05 |
SYN. BASS 4 |
Single |
Synthesizer Bass |
| 09-06 |
SYN. BASS 5 |
Single |
|
| 09-07 |
SYN. BASS 6 |
Single |
|
| 09-08 |
SYN. BASS 7 |
Single |
|
| 09-09 |
SYN. BASS 8 |
V-MIX |
|
| 09-10 |
HEAVY EG 1 |
Single |
Heavy Electric Guitar |
| 09-11 |
HEAVY EG 2 |
Detune |
|
| 09-12 |
JP STRINGS |
Single |
Jupiter Strings |
| 09-13 |
JP. BRASS 1 |
Single |
Jupiter Brass |
| 09-14 |
JP. BRASS 2 |
Single |
|
| 09-15 |
R.ORGAN 1 |
Dual |
Reed Organ |
| 09-16 |
R.ORGAN 2 |
Dual |
|
| |
*
The voicing capacity or the upper range may vary with the tones you select. |
| |
|
|
|
|
|
|
|
|
|
|
| |
SN-U110-10
- Rock Drums - Sound Chart
NOTE: These Tones are NOT compatible with the D-70 |
|
10-01 Rock Drums |
|
10-02 Electronic Drums |
| Note Name |
Tone Name |
|
Note Name |
Tone Name |
| B1 |
(35) |
Bass Drum 1 |
|
B1 |
(35) |
Bass Drum 5 |
|
| C2 |
(36) |
Bass Drum 2 |
|
C2 |
(36) |
Bass Drum 6 |
|
| C#2 |
(37) |
Rim Shot |
|
C#2 |
(37) |
Rim Shot |
|
| D2 |
(38) |
Snare Drum 1 |
|
D2 |
(38) |
Snare Drum 7 |
(TR-808) |
| D#2 |
(39) |
Stick |
|
D#2 |
(39) |
Chimes |
(TR-808) |
| E2 |
(40) |
Snare Drum 2 |
|
E2 |
(40) |
Snare Drum 8 |
|
| F2 |
(41) |
Low Tom Tom 1 |
|
F2 |
(41) |
LowTom Tom 4 |
(TR-808) |
| F#2 |
(42) |
Closed High Hat 1 |
|
F#2 |
(42) |
Closed High Hat 2 |
(TR-808) |
| G2 |
(43) |
Low Tom Tom 2 |
|
G2 |
(43) |
Low Tom Tom 5 |
|
| G#2 |
(44) |
Half Open High Hat 1 |
|
G#2 |
(44) |
Closed High Hat 2 |
(TR-808) |
| A2 |
(45) |
Middle Tom Tom 1 |
|
A2 |
(45) |
Middle Tom Tom 4 |
(TR-808) |
| A#2 |
(46) |
Open High Hat 1 |
|
A#2 |
(46) |
Open High Hat 2 |
(TR-808) |
| B2 |
(47) |
Middle Tom Tom 2 |
|
B2 |
(47) |
Middle Tom Tom 5 |
|
| C3 |
(48) |
High Tom Tom 1 |
|
C3 |
(48) |
High Tom Tom 4 |
(TR-808) |
| C#3 |
(49) |
Crash Cymbal |
|
C#3 |
(49) |
Crash Cymbal |
|
| D3 |
(50) |
High Tom Tom 2 |
|
D3 |
(50) |
High Tom Tom 5 |
|
| D#3 |
(51) |
Cup |
|
D#3 |
(51) |
Ride Cymbal |
|
| E3 |
(52) |
Gong |
|
E3 |
(52) |
Off |
|
| F3 |
(53) |
Off |
|
F3 |
(53) |
Off |
|
| F#3 |
(54) |
Off |
|
F#3 |
(54) |
Off |
|
| G3 |
(55) |
Off |
|
G3 |
(55) |
Off |
|
| G#3 |
(56) |
Off |
|
G#3 |
(56) |
Off |
|
| A3 |
(57) |
Crash Cymbal |
|
A3 |
(57) |
Off |
|
| A#3 |
(58) |
Snare Drum 3 |
|
A#3 |
(58) |
Off |
|
| B3 |
(59) |
Off |
|
B3 |
(59) |
Off |
|
| C4 |
(60) |
Off |
|
C4 |
(60) |
Off |
|
| C#4 |
(61) |
Off |
|
C#4 |
(61) |
Off |
|
| D4 |
(62) |
Off |
|
D4 |
(62) |
Off |
|
| D#4 |
(63) |
Off |
|
D#4 |
(63) |
Off |
|
| E4 |
(64) |
Off |
|
E4 |
(64) |
Off |
|
| F4 |
(65) |
Off |
|
F4 |
(65) |
Off |
|
| F#4 |
(66) |
Off |
|
F#4 |
(66) |
Off |
|
| G4 |
(67) |
Off |
|
G4 |
(67) |
Off |
|
| G#4 |
(68) |
Off |
|
G#4 |
(68) |
Off |
|
| A4 |
(69) |
Off |
|
A4 |
(69) |
Off |
|
| A#4 |
(70) |
Off |
|
A#4 |
(70) |
Off |
|
| B4 |
(71) |
Off |
|
B4 |
(71) |
Off |
|
| C5 |
(72) |
Off |
|
C5 |
(72) |
Off |
|
| C#5 |
(73) |
Off |
|
C#5 |
(73) |
Off |
|
| D5 |
(74) |
Off |
|
D5 |
(74) |
Off |
|
| D#5 |
(75) |
Off |
|
D#5 |
(75) |
Off |
|
| E5 |
(76) |
Off |
|
E5 |
(76) |
Off |
|
| F5 |
(77) |
Off |
|
F5 |
(77) |
Off |
|
| F#5 |
(78) |
Off |
|
F#5 |
(78) |
Off |
|
| G5 |
(79) |
High Pitch Tom Tom 2 |
|
G5 |
(79) |
Off |
|
| G#5 |
(80) |
Off |
|
G#5 |
(80) |
Off |
|
| A5 |
(81) |
High Pitch Tom Tom 1 |
|
A5 |
(81) |
Off |
|
| A#5 |
(82) |
Off |
|
A#5 |
(82) |
Off |
|
| B5 |
(83) |
Off |
|
B5 |
(83) |
Off |
|
| C6 |
(84) |
Bass Drum 3 |
|
C6 |
(84) |
Off |
|
| C#6 |
(85) |
Bass Drum 4 |
|
C#6 |
(85) |
Off |
|
| D6 |
(86) |
Snare Drum 4 |
|
D6 |
(86) |
Off |
|
| D#6 |
(87) |
Snare Drum 5 |
|
D#6 |
(87) |
Off |
|
| E6 |
(88) |
Snare Drum 6 |
|
E6 |
(88) |
Off |
|
| F6 |
(89) |
Low Tom Tom 3 |
|
F6 |
(89) |
Off |
|
| F#6 |
(90) |
Closed High Hat 1 |
|
F#6 |
(90) |
Off |
|
| G6 |
(91) |
Middle Tom Tom 3 |
|
G6 |
(91) |
Off |
|
| G#6 |
(92) |
Crash Cymbal |
|
G#6 |
(92) |
Off |
|
| A6 |
(93) |
High Tom Tom 3 |
|
A6 |
(93) |
Off |
|
| A#6 |
(94) |
Cup |
|
A#6 |
(94) |
Off |
|
| B6 |
(95) |
Off |
|
B6 |
(95) |
Off |
|
| |
* All Tones are Single.
*
The voicing capacity or the upper range may vary with the tones you select. |
| |
|
|
|
|
|
|
|
| |
SN-U110-11 - Sound Effects - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
Split/Threshold |
| 11-01 |
CREAKING |
Single |
Creaking door |
|
| 11-02 |
DOOR |
Single |
Door closing |
|
| 11-03 |
FOOTSTEPS |
Single |
Sound of foot steps |
|
| 11-04 |
WATERPHONE |
Single |
Waterphone |
|
| 11-05 |
S-STRINGS |
Single |
Suspense strings |
|
| 11-06 |
SCREAMING |
Single |
Female scream |
|
| 11-07 |
LAUGHING |
Single |
Male laughter |
|
| 11-08 |
DOG |
Single |
Dog barking |
|
| 11-09 |
WAVE |
Dual |
Wave |
|
| 11-10 |
STREAM |
Dual |
Stream babbling |
|
| 11-11 |
BIRD |
Dual |
Birds singing |
|
| 11-12 |
DROP |
Single |
Drop falling |
|
| 11-13 |
RAIN |
Dual |
Rain |
|
| 11-14 |
THUNDER |
Dual |
Thunder |
|
| 11-15 |
CAR DOOR |
Single |
Car door |
|
| 11-16 |
CAR STOP |
Single |
Car brakes applied |
|
| 11-17 |
CAR CRASH |
Dual |
Car crash |
|
| 11-18 |
TRAIN |
Dual |
Train (passing/continuous) |
C5(72),C6(84) |
| 11-19 |
PISTOL |
Single |
Pistol |
|
| 11-20 |
MACHINEGUN |
Single |
Machine gun |
|
| 11-21 |
MISSILE |
Dual |
Missile |
|
| 11-22 |
EXPLOSION |
Dual |
Explosion |
|
| 11-23 |
BIG fOOT |
Single |
Monster steps |
|
| 11-24 |
DOZILLA |
Single |
Monster voice |
|
| 11-25 |
TEL CALL |
Single |
Phone call |
|
| 11-26 |
CHIME |
Single |
Sound of chimes |
|
| 11-27 |
APPLAUSE |
Single |
Applause |
|
| 11-28 |
FROM RADIO |
Single |
Music from radio |
|
| 11-29 |
BUBBLE 1 |
Dual |
bubbles |
|
| 11-30 |
BUBBLE 2 |
Dual |
bubbles |
|
| 11-31 |
TOY |
Single |
Toy bell |
|
| 11-32 |
FANTASYHIT |
Dual |
Orchestra hit |
|
| 11-33 |
S-SET |
Dual |
Suspense set |
|
| 11-34 |
C-SET |
Dual |
Car set |
|
Many thanks to Keith for providing the SN-U110-11 card info. If you are after some more rare synth info see ... SUPER JX-10 and MKS-70 SYNTHESIZER HOMEPAGE |
| |
|
|
|
|
|
| |
SN-U110-12
- Sax and Trombone - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
Threshold |
| Saxophone |
|
|
|
|
| 12-01 |
SAX SW 1 |
V-SW |
Piano / Mezzo Forte |
v = 100 |
| 14-02 |
SAX SW 2 |
V-SW |
Piano / Mezzo Forte, bright |
v = 100 |
| 12-03 |
SAX SW 3 |
V-SW |
Mezzo Forte / Fortissimo |
v = 100 |
| 12-04 |
SAX SW 4 |
V-SW |
Mezzo Forte / Fortissimo, bright |
v = 100 |
| 12-05 |
SAX P 1 |
Single |
Piano, mellow |
|
| 12-06 |
SAX P 2 |
Single |
Piano |
|
| 12-07 |
SAX P 3 |
Single |
Piano, bright |
|
| 12-08 |
SAX MF 1 |
Single |
Mezzo Forte |
|
| 12-09 |
SAX MF 2 |
Single |
Mezzo Forte, bright |
|
| 12-10 |
SAX FF |
Single |
Fortissimo |
|
| Trombone |
|
|
|
|
| 12-11 |
TRB SW 1 |
V-SW |
Piano / Mezzo Forte |
v = 100 |
| 12-12 |
TRB SW 2 |
V-SW |
Mezzo Forte / Fortissimo |
v = 100 |
| 12-13 |
TRB P |
Single |
Piano |
|
| 12-14 |
TRB MF |
Single |
Mezzo Forte |
|
| 12-15 |
TRB FF |
Single |
Fortissimo |
|
| 12-16 |
TP/TRB SW 1 |
V-SW |
Piano / Mezzo Forte |
v = 100 |
| |
12-17 |
TP/TRB SW 2 |
V-SW |
Mezzo Forte / Fortissimo |
v = 100 |
| |
12-18 |
TP/TRB P |
Single |
Piano |
|
| |
12-19 |
TP/TRB MF |
Single |
Mezzo Forte |
|
| |
12-20 |
TP/TRB FF |
Single |
Fortissimo |
|
| |
* Tones marked with +12 can be played as a combination of the original sound and the same
sound played one octave higher.
* Paired tones allow you to obtain a rich, spacious, stereo sound, as they can be panned to
the left and right. Tones marked as (L) are panned to the Left (L channel) and (R) to the Right
(R Channel). |
| |
|
|
|
|
|
|
| |
SN-U110-13
- Super Strings (From the JV-80) - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
Note |
| 13-01 |
SUP STR 1 |
Single |
standard tone |
|
| 13-02 |
SUP STR 1L |
Single |
mellow tone |
|
| 13-03 |
SUP STR 1R |
Single |
bright tone |
|
| 13-04 |
SUP STR 2 |
Detune |
slow attack standard tone |
|
| 13-05 |
SUP STR 2L |
Single |
slow attack mellow tone |
|
| 13-06 |
SUP STR 2R |
Single |
slow attack bright tone |
|
| 13-07 |
SUP STR 3 |
Single |
fast decay standard tone |
|
| 13-08 |
SUP STR 3L |
Single |
fast decay mellow tone |
|
| 13-09 |
SUP STR 3R |
Single |
fast decay bright tone |
|
| 13-10 |
SUP STR 4 |
Dual |
standard tone + tone 1 octave lower |
+12 |
| 13-11 |
SUP STR 4L |
Dual |
mellow tone + tone 1 octave lower |
+12 |
| 13-12 |
SUP STR 4R |
Dual |
bright tone + tone 1 octave lower |
+12 |
| |
|
|
|
|
|
|
| |
SN-U110-14
- Super Acoustic Guitar (From the JV-80) - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
|
| 14-01 |
STEEL GTR1 |
Single |
Steel String |
|
| 14-02 |
STEEL SOFT |
Single |
Steel String (Soft) |
|
| 14-03 |
STEEL HARD |
Single |
Steel String (Hard) |
|
| 14-04 |
STEEL GTR2 |
Detune |
Detuned Steel String |
|
| 14-05 |
STEEL (L) |
Single |
Steel String (Left) |
|
| 14-06 |
STEEL (R) |
Single |
Steel String (Right) |
|
| 14-07 |
NYLON GTR1 |
Single |
Nylon String |
|
| 14-08 |
NYLON SOFT |
Single |
Nylon String (Soft) |
|
| 14-09 |
NYLON HARD |
Single |
Steel String (Hard) |
|
| 14-10 |
NYLON GTR2 |
Detune |
Detuned Nylon String |
|
| 14-11 |
NYLON (L) |
Single |
Nylon String (Left) |
|
| 14-12 |
NYLON (R) |
Single |
Nylon String (Right) |
|
| 14-13 |
12STRGTR1 |
Dual |
Steel String Unison |
|
| 14-14 |
12STRGTR2 |
Dual |
Steel String + tone 1 octave higher |
+12 |
| 14-15 |
12STRGTR3 |
Dual |
Nylon String Unison |
|
| 14-16 |
12STRGTR4 |
Dual |
Nylon String + tone 1 octave higher |
+12 |
| |
14-17 |
12STRGTR5 |
Dual |
Steel & Nylon Unison |
|
| |
14-18 |
HARMONICS |
Single |
Harmonics |
|
| |
14-19 |
SQUEAK |
Single |
Fret Noise |
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* Tones marked with +12 can be played as a combination of the original sound and the same
sound played one octave higher.
* Paired tones allow you to obtain a rich, spacious, stereo sound, as they can be panned to
the left and right. Tones marked as (L) are panned to the Left (L channel) and (R) to the Right
(R Channel). |
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SN-U110-15
- Super Brass (From the JV-80) - Sound Chart |
|
# |
Tone Name |
Tone Type |
Contents |
|
| 15-01 |
HI BRASS 1 |
Single |
trumpet section |
|
| 15-02 |
HI BRASS 2 |
Dual |
trumpet section + tone 1 octave lower |
|
| 15-03 |
HI BRS SF |
Single |
trumpet section sforzando |
|
| 15-04 |
LO BRASS 1 |
Single |
trombone section |
|
| 15-05 |
LO BRASS 2 |
Dual |
trombone section + tone 1 octave lower |
|
| 15-06 |
LO BRASS SF |
Single |
trombone section sforzando |
|
| 15-07 |
BRS CMB 1 |
Single |
lower key - LoBrass, upper key - Hi Brass |
|
| 15-08 |
BRS CMB 1L |
Single |
lower key - LoBrass, upper key - Hi Brass (mellow tone) |
|
| 15-09 |
BRS CMB 1R |
Single |
lower key - LoBrass, upper key - Hi Brass (bright tone) |
|
| 15-10 |
BRS CMB 2 |
Dual |
BRS CMB 1 + tone 1 octave lower |
|
| 15-11 |
BRS CMB 2L |
Dual |
BRS CMB 1L + tone 1 octave lower |
|
| 15-12 |
BRS CMB 2R |
Dual |
BRS CMB 1R + tone 1 octave lower |
|
| 15-13 |
BRS CMB SF |
Single |
BRS CMB 1 sforzando |
|
| |
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|
|
|
|
SN-MV30-01 Tone List (Rhythm Section) |
|
SN-MV30-02 Tone List (Orchestral) |
| # |
Tone Name |
Tone Type |
Contents |
|
# |
Tone Name |
Tone Type |
Contents |
| 01 |
ODG SW 1 |
V-SW |
Piano/Fore fuzzy |
|
01 |
OBOE 1 |
Single |
Bright tone |
| 02 |
ODG SW 2 |
V-SW |
Piano/Forte Dry |
|
02 |
OBOE 2 |
Single |
Normal |
| 03 |
ODG SW 3 |
V-SW |
Piano/Forte Fat |
|
03 |
OBOE 3 |
Single |
Mellow tone |
| 04 |
ODG SW HM |
V-SW |
Piano/ Harmonics |
|
04 |
OBOE 4 |
Detune |
|
| 05 |
ODG P |
Single |
Piano |
|
05 |
OBOE 5 |
Dual |
|
| 06 |
ODG F |
Single |
Forte |
|
06 |
CLARINET 1 |
Single |
Bright tone |
| 07 |
ODG DT P |
Detune |
Piano |
|
07 |
CLARINET 2 |
Single |
Normal |
| 08 |
ODG DT F |
Detune |
Forte |
|
08 |
CLARINET 3 |
Single |
Mellow tone |
| 09 |
ODG OCT P1 |
Dual |
Piano w/ 1 oct upper |
|
09 |
CLARINET 4 |
Detune |
|
| 10 |
ODG OCT P2 |
Dual |
Piano w/ 1 oct lower |
|
10 |
CLARINET 5 |
Dual |
|
| 11 |
ODG OCT F1 |
Dual |
Piano w/ 1 oct upper |
|
11 |
BASS CL 1 |
Single |
Normal |
| 12 |
ODG OCY F2 |
Dual |
Piano w/ 1 oct lower |
|
12 |
BASS CL 2 |
Single |
Mellow tone |
| 13 |
ODG SW S / F |
V-SW |
Slow attack/Fast attack |
|
13 |
BASS CL 3 |
Detune |
|
| 14 |
ODG FB 1 |
Dual |
ForteFdck harmonics |
|
14 |
BASS CL 4 |
Dual |
|
| 15 |
ODG FB 2 |
Dual |
FFdck (fundamental) |
|
15 |
BASSOON 1 |
Single |
Normal |
| 16 |
ODG FB 3 |
Dual |
Ffdck (2nd Harmonics) |
|
16 |
BASSOON 2 |
Single |
Mellow Tone |
| 17 |
ODG FB 4 |
Dual |
Ffdck (3rd Harmonics) |
|
17 |
BASSOON 3 |
Detune |
|
| 18 |
ODG FB 5 |
Dual |
Ffdck (4th Harmonics) |
|
18 |
BASSOON 4 |
Dual |
|
| 19 |
ODG FB 6 |
Dual |
Ffdck (5th Harmonics) |
|
19 |
SOLO HORN 1 |
Single |
Normal |
| 20 |
SYN. BASS 1 |
Dual |
|
|
20 |
SOLO HORN 2 |
Single |
Mellow Tone |
| 21 |
SYN. BASS 2 |
Single |
|
|
21 |
SOLO HORN 3 |
Detune |
|
| 22 |
SYN. BASS 3 |
Single |
|
|
22 |
SOLO HORN 4 |
Dual |
|
| 23 |
SYN. BASS 4 |
Detune |
|
|
23 |
TUBA 1 |
Single |
Normal |
| 24 |
SYN. BASS 5 |
Detune |
|
|
24 |
TUBA 2 |
Single |
Mellow Tone |
| 25 |
CONGA 1 |
V-SW |
Open/Mute (v=100) |
|
25 |
TUBA 3 |
Detune |
|
| 26 |
CONGA 2 |
Single |
|
|
26 |
TUBA 4 |
Dual |
|
| 27 |
CONGA 3 |
Single |
|
|
27 |
TIMPANI 1 |
V-MIX |
|
| 28 |
CONGA 4 |
Single |
|
|
28 |
TIMPANI 2 |
Single |
Forte |
| 29 |
BONGO 1 |
Single |
|
|
29 |
HARP 1 |
Single |
|
| 30 |
BONGO 2 |
Single |
|
|
30 |
HARP 2 |
Detune |
|
| 31 |
BONGO 3 |
Single |
|
|
31 |
VLN WAVE 1 |
Single |
|
| 32 |
CLAVES |
Single |
|
|
32 |
VLN WAVE 2 |
Detune |
|
| 33 |
TIMBRE 1 |
Single |
|
|
33 |
VLN WAVE 3 |
Dual |
|
| 34 |
TIMBRE 2 |
Single |
|
|
34 |
CELO WAVE 1 |
Single |
|
| 35 |
TAMBOURINE |
Single |
|
|
35 |
CELO WAVE 2 |
Detune |
|
| 36 |
WOOD BLOCK |
Single |
|
|
36 |
CELO WAVE 3 |
Dual |
|
| 37 |
WHISTLE |
Single |
|
|
37 |
CB WAVE 1 |
Single |
|
| 38 |
TRIANGULE |
Single |
|
|
38 |
CB WAVE 2 |
Detune |
|
| 39 |
JINGLEBELL |
Single |
|
|
39 |
PIZZICATO |
Single |
|
| 40 |
VIBRASLAP |
Single |
|
|
|
|
|
|
| 41 |
CASTANET |
Single |
|
LEGEND
|
| ODG |
Over Drive Guitar |
| VLN |
Violin |
| Celo |
Cello |
| CB |
Contrabass |
| Single |
A single voice is played |
| Detune |
Two voices are played simultaneously with one voice tuned slightly differently |
| Dual |
Two voices are played simultaneously |
V-Mix
(velocity Mix) |
Two voices are played simultaneously with the volumes of the voices changed by
how strongly you hit the keyboard. Based on key velocity. |
V-SW
(velocity switch) |
Either of two
different voices is played depending on how strongly you hit a note. One voice will be heard when a note is played softly, the other voice is heard when a note is played loud. Based on key velocity. |
|
| 42 |
MARACAS |
Single |
|
| 43 |
CUICA 1 |
Single |
|
| 44 |
CUICA 2 |
V-SW |
Low/high (v=100) |
| 45 |
GUIRO 1 |
Single |
Long |
| 46 |
GUIRO 2 |
Single |
Short |
| 47 |
GUIRO 3 |
V-SW |
Long/short (v=100) |
| 48 |
BERIMBAU |
single |
|
| 49 |
SHEKELE |
single |
|
| 50 |
STEEL DRUM |
single |
|
| 51 |
LOG DRUM |
single |
|
| 52 |
SCRATCH |
single |
|
| 53 |
808COWBELL |
single |
|
| 54 |
808CONGA 1 |
single |
|
| 55 |
808CONGA 2 |
single |
|
|
Incept Date: Wizard - 140310
Last Update: Wizard - 150914
